CRI record label, which released recordings of a number of his compositions. The composer wrote that growing up as I did in the Russian Orthodox Church, serving as reader and altar boy, the sound of the choir singing the traditional service and works by all the best nineteenth-century Russian 5 composers left an indelible impression. Three Scenes from The Creation and Missa Brevis from CRI SD 297 (1973 produced by Carter Harman and Vladimir Ussachevsky; original recording supported by a grant from the American Composers Alliance. The would-be music major was the undersigned who afterward studied with both Ussachevsky and Otto Luening in the Columbia music department. This was essentially an early form of midi; that is, a tunable succession of pitches was produced by playing a keyboard attached to the computer, which in turn sent voltages to (or through) generators, amplifiers, and a band-pass filter. He received two Guggenheim Fellowships, membership in the National Institute of Arts and Letters, awards and grants from the National Endowment for the Arts, Creative Artists Public Service Program, National Endowment for the Humanities, University of Rochester, and Pomona College. Sketch 1 :57. In 1951 he began experimenting with tape composition, and in 1953 he began collaborating with the composer.
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The term tape music came to be applied to this work, in contradistinction to the French musique concrète and the German elektronische musik. In addition to works written with Luening, his compositions include, sonic Contours (performed 1952) for tape and instruments; a piano concerto; and orchestral, choral, and chamber works. His notable students include Charles Wuorinen, Alice Shields, Ilhan Mimaroglu, Faye-Ellen Silverman, Charles. P 2007 Recorded Anthology of American Music, Inc. He himself served as a psalm reader and altar boy in the local Russian Orthodox Church, which he recalled as having an excellent choir with a wide repertoire of Russian sacred music from the traditional to Tchaikovsky and Rachmaninoff. Everything was stored digitally and then recalled and converted (or reconverted) to analog form where it was subject to further manipulations in the studio. After a brief career in the early 1940s as a music teacher in Vermont and an assistant choral conductor in southern California, Ussachevsky was drafted into the United States Army, which recognized the usefulness of his knowledge of Russian and Chinese and assigned him.
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